New technologies that enable the 3D scanning and fabrication of art and architecture have become integral in attempts to combat the decay, destruction, and disputed ownership of ancient works. Our seminar contextualizes the development of these current approaches within the longer history of collecting and replicating artifacts from the ancient Mediterranean. We will think critically about the role that replicated antiquities play in site and object preservation, college and museum education, and the negotiation of international political power. Potential case studies include the Bust of Nefertiti, the Parthenon Marbles, the Venus de Milo, and the Arch of Palmyra, all of which now exist globally in multiple digital and material iterations. The seminar will culminate in a critique of the digitization and replication of Wellesley’s own antiquities collections.
Max Enrollment: 15
Prerequisites: Prior college-level coursework in Art History and/or Classical Civilization.
Distribution Requirements: ARS - Visual Arts, Music, Theater, Film and Video
Semesters Offered this Academic Year: Spring