This course examines Chinese painting from early times to the turn of the twentieth century. It serves as an introduction to theories, masters, and principles in the practice of Chinese painting. Issues of investigation include major themes, techniques, connoisseurship, and functions of Chinese painting. Special attention is given to (1) imperial patronage, (2) the triangle relationship between painting, calligraphy, and poetry, (3) the tension between representation and expression, (4) between professional and literati, (5) between tradition and creativity, and (6) the impact of the West. Trips to the Museum of Fine Arts in Boston and other museums. 

Units: 1

Max Enrollment: 25

Prerequisites: None.

Instructor: Liu

Distribution Requirements: ARS - Visual Arts, Music, Theater, Film and Video

Semesters Offered this Academic Year: Fall

Notes: