A journey through the dark side of the American imagination. Where classic Hollywood filmmaking trades in uplift and happy endings, Film Noir inhabits a pessimistic, morally compromised universe, populated by femmes fatales, hard-boiled detectives, criminals and deviants. This course will explore the development of this alternative vision of the American experience, from its origins in the 1940s, through the revival of the genre in the 1970s, to its ongoing influence on contemporary cinema. We’ll pay particular attention to noir’s redefinition of American cinematic style, and to its representations of masculinity and femininity. Films we are likely to watch include Howard Hawks’s The Big Sleep, Billy Wilder’s Double Indemnity, Roman Polanski’s Chinatown, Carl Franklin’s Devil in a Blue Dress, and David Lynch’s Mulholland Drive. We’ll also read a number of the gritty detective novels from which several of these films were adapted.

Units: 1

Max Enrollment: 30

Crosslisted Courses:

Prerequisites: None

Instructor: Shetley

Distribution Requirements: ARS - Visual Arts, Music, Theater, Film and Video

Semesters Offered this Academic Year: Not Offered

Notes: